The 21st century has brought about several significant changes in the realm of beauty, one of which is how society’s perception of beauty has evolved over time. Because of that, cosmetics giants such as Maybelline and Covergirl are also publicly expanding the boundaries of what is conventionally associated to femininity by including male makeup-wearing models in their advertisements and campaigns. But when it comes to inclusivity, I believe no other brand does it more naturally than M·A·C who had partnered with the likes of Gabriel Zamora in the past. Obviously not new to the ‘boy beauty’ movement, M·A·C decided to join forces with Patrick Starrr to create a series of makeup collections for all ages, races and sexes.
Born in the U.S to Filipino parents, Patrick Starrr (whose real name is Patrick Simondac) was training to be a nurse at the university when he found his calling as a makeup artist through his stint at Sephora and M·A·C. Upset that he wasn’t assigned any hours at M·A·C after the holiday season in 2013, Patrick turned to YouTube as a means to maintain his artistry and as an outlet for creative freedom.
Although being one of the few boy beauty gurus at that time helped attract many eyeballs to his videos, it was after the late Talia Joy – a 13-year-old cancer patient who became a YouTube beauty guru and honorary CoverGirl – liked one of his videos that his fame exploded almost overnight, gaining him 20,000 followers in just a month. Since then, his channel has passed the 3 million subscription mark and Patrick himself has gone on to become a full-blown household name in the YouTube community with brands lining up to work with him (and was even given the opportunity to do Kim Kardashian’s makeup!). From Sephora to ABH, it was only a matter of time Patrick teamed up with the OG of collaborations (and the company that fuelled his passion in makeup artistry).
Dropped in the U.S. in December last year and in Singapore early last month, the M·A·C × Patrick Starrr collection (and this is just one part of his year-long project with the brand. Meaning to say, there’s more to come!) boasts a packaging that is nothing short of flamboyant – products are encased in reflective silver material and put in boxes embellished with glitter and metallic foil accents.
It comprises a setting powder which M·A·C members were able to pre-order on their U.S. website, three shades of lip pencil (in Brick, Edge to Edge & Mahogany) and lipglass (in Mamastarrr, Patrick Woo & She Betta Werrrk) with their corresponding lipsticks sold separately, as well as two eye shadow quads (in Glam AF & Goalgetter). But this review will only be focusing on the lipsticks in this collection.
Patrick Woo is described as a deep yellow-red with Matte finish. Highly pigmented with an opaque coverage, this warm-toned red delivers a soft-matte appearance without accentuating any fine lines and instantly transforms the lips into a bold camera-ready pout.
In comparison to Ruby Woo, this feels a lot more moisturising although a discernible amount of tugging and dragging persists as it goes on my lips. Still, this universally-flattering lipstick allows for an even application in just one stroke and envelopes the lips in a rich and long-wearing timeless colour.
Exude a nouveau bohemian vibe with Mamastarrr, an incredibly wearable darkened terracotta which does not draw attention away from your elaborate eye makeup while still enhancing the overall appearance of the face. Described by M·A·C as a reddish brown with Satin finish, it goes on smooth with minimal tugging and skipping to provide full-coverage and an unobtrusive sheen in one swipe.
As gorgeous as it seems, however, it has the tendency to amplify dry patches and settle into lines, making the lips look more wrinkly than usual. That said, it does not strip moisture from the lips and cause them to chap and peel (which happens to me a lot) after several hours of wear. This colour fades to a subtle beige stain after a full meal.
She Betta Werrrk
She Betta Werrrk is described as a soft pink with Matte finish. A better reincarnation of The Pinkprint with only a smidgen of its shine, this cool-toned muted rose is darker and certainly far more superior in terms of longevity, coverage and consistency. It goes on the lips more evenly and is more resistant to transfer.
Having said that, the texture isn’t exactly creamy and pliable – it applies with some tugging and requires a couple of layered coats to achieve full opacity. But the more I run the lipstick over my lips, the more it seems to intensify the appearance of my lip lines. On top of that, this colour is noticeably more drying, so much so that my lips started to flake as the hour went by. This colour is best suited for porcelain complexions in my opinion because it looks kinda odd against my yellow-toned skin.
Although it was really thoughtful of Patrick Starrr to have opted for safe shades that would work for most skin tones across the board for this collection, I found the choice of colours a tad too boring and repetitive for my liking (even though they generally apply a lot better than their precedents). Hopefully, we get to see a more diverse selection in his subsequent M·A·C releases.
And seriously, what’s with his obsession with triple Rs, though? 😒
What do you think of the M·A·C × Patrick Starrr collection? Let me know your thoughts in the comments below or take a quick poll!
Thanks for reading!