Makeup is like clothes; it changes with the season and is generally influenced by the particularities of the physical-geographical environment at the time. But instead of associating summer with jarring bright neons and glitter-flecked chrome hues that illuminate in the glisten of the sun like many of us would, M·A·C stepped out of the norm to drop a collection themed on bokeh and city lights (albeit with a bit of an ’80s vibe) to kick-start the festivities.
M·A·C Mirage Noir for Summer 2018
Launched mid May, the whole of the collection includes lipsticks in 5 different finishes (Twig / Goodbye Kiss / Beach Nut / Noon Noir / Nothing To Wear), 5 Lipglass(Oysterized / Strip ‘N’ Dip / Midnight Dip / Treasure Beach / Soft Shell), 4 eye shadow singles(Slow As You Glow / Sun, Tan And Repeat / Dust Off / Sun Speck), 4 bronzing powder compacts(Golden Rinse [ED] / Delphic [ED] / Baiana Bronze / Matte Bronze), a Pearlmatte Face Powder(Mother O’Pearl), 2 Face and Body Foundation(Light Pearl / Medium Deep Pearl) and a fan brush(140ES) – all decked out in holographic duo-chrome packaging that shifts from blue to purple when viewed from different angles (yes, even the brush and bottled foundation!).
I am not gonna lie – this collection wasn’t exactly up my alley, but the packaging was just too irresistible to say no to. Whipping out my trusty credit card, I proceeded to break my no-buy for the rest of May (in view of the expenses involved in my wedding.. and also because I had already spent a bomb at Sephora earlier – damn sales!) for two lipsticks. Incorrigible, I know, but thank God for mid-year bonus 😜
Noon Noir
M·A·C Mirage Noir lipstick in Noon Noir (US$18.50)
M·A·C Mirage Noir lipstick in Noon Noir
M·A·C Mirage Noir lipstick in Noon Noir
M·A·C Mirage Noir lipstick in Noon Noir
M·A·C Mirage Noir lipstick in Noon Noir
M·A·C Mirage Noir lipstick in Noon Noir
Noon Noir is described as a frosty brown with Frost finish, which essentially means that the formula would be made up of three parts fine glitter and one part pigment. This cool-toned cocoa brown contains brownish-purple shimmers, rendering the shade a metallic sheen that masks most of its pigment when the light hits it.
Gliding smoothly on the lips, the first swipe gives a sheer payoff of a rather poorly distributed product where some areas appear much darker than others. Moreover, it has the tendency to gather around the lines and cause it to look streaky and patchy. But with a few additional passes, the lipstick becomes more opaque and certainly more pigmented although, at the same time, you can see the product settling into the lines. That said, if you dig the frost finish, this also makes the perfect candidate for a lip topper as due to its lightweight consistency, it won’t really move what’s beneath it.
Swatch comparison for Noon Noir – All I Want is lighter and warmer
Beach Nut
M·A·C Mirage Noir lipstick in Beach Nut (US$18.50)
M·A·C Mirage Noir lipstick in Beach Nut
M·A·C Mirage Noir lipstick in Beach Nut
M·A·C Mirage Noir lipstick in Beach Nut
M·A·C Mirage Noir lipstick in Beach Nut
M·A·C Mirage Noir lipstick in Beach Nut
Beach Nut is described as a deep violet in a matte finish. Although matte, this warm purple is emollient, has a lightly glossy appearance and does not emphasise any imperfections on the lips. The downside of it is that it does not last as long on the lips as traditional mattes do because it is very prone to transfer. This lipstick applies creamy without dragging or skipping, providing a mostly opaque coverage (but easily buildable to full opacity with another stroke or two) with a slightly patchy consistency.
Swatch comparison for Beach Nut
Discounting the thought that this collection isn’t very summer-appropriate (seems more fall if you ask me), the lipsticks – the ones I bought – are all right, but nothing exceptional. And maybe it’s just me, but I really don’t see the relevance of the retro discotheque-ish theme to the year-long heat and humidity I’m experiencing in my room now. In terms of publicity, I think this collection is a failure despite the eyeball-grabbing packaging. Perhaps there is too much hype centred on the M·A·C Aaliyah collection (review is in the works 😉) that practically no one is paying attention to this. Don’t believe me? Google “MAC Mirage Noir” and tell me how many reviews on this collection you see.
What do you think of this collection? Let me know what you got in the comments below or simply take a quick poll!
Thanks for reading!
M·A·C Mirage Noir is now available on MACCosmetics.com and in all local M.A.C outlets.
If having a cosmetic line is any indication of success in one’s YouTube career (I mean, it has to be, judging from the announcements of new makeup lines we are inundated with by beauty gurus almost on a monthly basis 🤷🏻♀️), Patrick Starrr has hit a home run by scoring an unparalleled five collections – which will be rolled out over the course of this year – with the world’s most influential makeup brand, M·A·C.
Following his holiday collection last December, Patrick returned with a second instalment (we are well into the third as we speak) that had a floral theme to it just in time for spring. And to make our lives easier, he had specially curated two kits for the entire face, each comprising a Lipstick, Lipglass, Eye Shadow Quad and Powder Blush Duo, all of which are not sold separately. But don’t worry, at under US$50 per set (with a US$97 value), they won’t break the bank either.
M·A·C × Patrick Starrr (PART II) – Floral Realness (lol he looks like me in my cover picture above)
Available in on-trend hues of Me So Fleek and the natural everyday shades of Me So Chic to choose from, this collection covers both ends of the style spectrum with colour schemes that cater to the adventurous and sophisticated crowds. Consolidated in a box alongside a face chart, the products – which are individually wrapped in purple crepe-like paper to prevent breakage in transit (but failed – you’ll know why) – are designed in pink packaging with a kaleidoscopic floral motif that serves as the backdrop for Patrick Starrr’s signature.
Inside the Me So Fleek kit
It was tough choosing between the two worthy contenders but my daredevil nature eventually led me to pick the Me So Fleek kit which is centred around deeper and more unconventional and contrasting hues. Me So Chic may look generally fuss-free and easy to work with, but it lacks variety in my opinion.
Eye Shadow X4: Stay With Me
M·A·C × Patrick Starrr Eye Shadow X4 in Stay With Me
M·A·C × Patrick Starrr Eye Shadow X4 in Stay With Me
M·A·C × Patrick Starrr Eye Shadow X4 in Stay With Me
M·A·C × Patrick Starrr Eye Shadow X4 in Stay With Me
Reading stories about makeup arriving broken in the mail might have geared me up for this dreadful nightmare since most of my purchases have to be subjected to long-distance air travel before they reach me. But for it to happen to an order that seemed to be far more protected from shock was certainly what I would have least expected.
So, imagine being so psyched about your order only to find one of the shades in the eye shadow palette crumble into a powdery mess, and it had somehow spilled over on to the case and ruined the aesthetics of it. Unlike fixing a snapped lipstick, reconstituting a broken eye shadow can be a real pain in the neck because modifying the formulation with an additional ingredient (e.g. rubbing alcohol) to revive the product will not only affect its performance, but it also is just a temporary fix. Hence, I’m leaving the damage as is and review it in its flawed state.
According to M·A·C, these eye shadows are ophthalmologist tested and safe for contact lens wearer. They can also be used wet or dry but personally, these work better dry because the colours (apart from All’s Rosy) lose a ton of their intensity when applied damp.
The following palettes were selected for comparison purposes due to their similarities to Stay With Me: Too Faced Rebel · M·A·C × Rossy De Palma Veluxe Pearlfusion Shadow · Juvia’s Place The Masquerade
The said victim of this misfortune is In Living Pink, a muted warm peach described by M·A·C as a pinky coral with gold micro-shimmers and Frost finish. Perhaps because it has disintegrated in the pan, the texture felt incredibly soft and smooth like baby powder, which could also explain why the loose heap exacerbates and breaks down into even finer particles every time it is utilised.
When applied, it renders great colour payoff and blends very well without sheering out too easily. The shimmers are rather fine and not chunky (but you can definitely tell they are there) so they add a beautiful sheen to the lid without being too in-your-face. Unfortunately, because of the mess it causes on the palette every time I dab my brush into it, I feel compelled to knock some scores off its grade.
Swatch comparison for In Loving Pink
Hickie is described as a bright pink with pink micro-shimmers and Frost finish. This hot pink has a semi-rough texture which looks kinda matte at first glance. Although applies with nearly sheer coverage on the first coat, it builds up to a more opaque pigmentation with three or four coats (which is also when the shimmers begin to be more conspicuous). As this shade is being blended out, it loses its intensity very quickly (the pigment couldn’t even hold up past 1 cm when I swatched it on my wrist) and can turn out to be quite patchy especially when applied on larger surface areas. Hence, in order for the colour to show up more vibrantly, I had to employ the pat-and-dab technique a few times on my lid.
Swatch comparison for Hickie
All’s Rosy is described as a dirty midtone pink with a matte finish. Although a repromote from the Padma Lakshmi collaboration, this version appears to be slightly different as it has more of a muted brown-toned plum hue to it and without the gold pearl. In terms of application, this doesn’t apply as pigmented and, on top of that, has the tendency to ball up. It also gives a semi-sheer coverage with a mildly dusty and uneven consistency which renders it a bit more difficult to work with. This shade blends out fairly easily and adheres well on the bare skin.
Swatch comparison for All’s Rosy
In The Shadows is described as a vibrant dark blue with cobalt-blue micro-shimmer and Frost finish which appears almost metallic-like due to its densely-packed shimmers that reflect light to add sparkle and glamour to the eyes. This electric blue has a lightly creamy texture and a finely-milled formula which goes on opaque on the lid with little effort. Although it packs a punch of pigment (which makes it not-so-forgiving towards mistakes during application), it can also cause quite a bit of fallout on the face, so it is best to apply it before putting on foundation (so that any stray specks of the eye shadow can be erased with ease). This shade blends out exceptionally well without sheering out too much.
Swatch comparison for In The Shadows
APPLICATION & SUGGESTED LOOK
Below is what I had come up with using the aforementioned palette because I felt that the suggested look on the given face chart had placed too much emphasis on the blue that it sorta overshadowed the other shades. Furthermore, this look is less intimidating and more suitable for everyday wear.
My face before applying eye, cheek and lip makeup
First shade – All’s Rosy
All’s Rosy as the base colour
Jumping straight to the deepest colour next – In The Shadows
In The Shadows to define the eyes
Bravely applying In The Shadows in the inner corner of my eyes as well which, if not careful, would have really ruined the whole look
Then, going into the Hickie pan
Filling Hickie in the centre of my lid to create an ombré with the blue
Blend harsh edges with the help of some All’s Rosy on the brush
Last but not least, the messiest pan on the palette – In Living Pink
In Living Pink to make the eyes pop a little bit more. You can also use this as a topper above the more pigmented shades
Duplicate the whole process on the lid onto the lower lash line
Without eye shadow → with eye shadow → with eyeliner (As you can tell, Hickie had started to fade the moment I tried to blend it with In The Shadows)
Powder Blush Duo:
Take Me Home
M·A·C × Patrick Starrr Powder Blush Duo in Take Me Home
M·A·C × Patrick Starrr Powder Blush Duo in Take Me Home
M·A·C × Patrick Starrr Powder Blush Duo in Take Me Home
M·A·C × Patrick Starrr Powder Blush Duo in Take Me Home – Soft Coral Pink (top shade)
M·A·C × Patrick Starrr Powder Blush Duo in Take Me Home – Soft Coral Pink (top shade)
M·A·C × Patrick Starrr Powder Blush Duo in Take Me Home – Soft Coral Pink
The powder blush duo (0.35 oz / 10 g) comprises a soft coral pink (top shade) and a muted pink plum (bottom shade) with Satin and Matte finishes respectively, and it was the vast contrast in both shades that sealed the deal for me in deciding to purchase this kit. Both blushes are pressed very densely in the pan so do not kick up any excess and dirty the mirror within.
The soft coral pink is a muted warm rose with sparsely-distributed silver shimmers that aren’t very obvious and do not catch every light. The blush goes on fairly pigmented when pressure is applied, and yields quite a lot of product as compared to the muted pink plum when swatched on my wrist although it somehow does not show much on my cheek (which, in all fairness, could be due to the fact that I had used a tapered brush instead of a buffing one). It has a smooth and silky texture without being too powdery or dry on the skin. Sheer on the first pass, its opacity can be built up with more layers without emphasising the pores or rough texture of the skin.
M·A·C × Patrick Starrr Powder Blush Duo in Take Me Home – Muted Pink Plum (bottom shade)
M·A·C × Patrick Starrr Powder Blush Duo in Take Me Home – Muted Pink Plum (bottom shade)
M·A·C × Patrick Starrr Powder Blush Duo in Take Me Home – Muted Pink Plum (bottom shade)
The muted pink plum, on the other hand, is a muted cool plum with a flat matte finish. Even though it appears deeper than the other shade in the pan, it is actually somewhat lighter and sheerer on the skin but is moderately buildable to a semi-opaque coverage. This shade applies with an uneven consistency unless on a sticky and moist surface, and would leave harsh edges if pressure is not applied uniformly on the skin. Hence, to get a more consistent payoff, you may have to sweep the brush lightly on the cheeks back and forth a couple of times. This shade blends out easily and does not appear dry or cakey on the skin despite its being a matte.
Swatch comparison for Powder Blush Duo in Take Me Home
Lipstick: Hey, Boy, Hey!
M·A·C × Patrick Starrr lipstick in Hey, Boy, Hey!
M·A·C × Patrick Starrr lipstick in Hey, Boy, Hey!
M·A·C × Patrick Starrr lipstick in Hey, Boy, Hey!
M·A·C × Patrick Starrr lipstick in Hey, Boy, Hey!
M·A·C × Patrick Starrr lipstick in Hey, Boy, Hey!
M·A·C × Patrick Starrr lipstick in Hey, Boy, Hey!
M·A·C × Patrick Starrr lipstick in Hey, Boy, Hey!
Hey, Boy, Hey! is described as a dirty pinkish plum with Retro Matte finish which is notoriously known to be incredibly drying. However, it was not entirely the case for this medium-dark reddish purple which, even though isn’t slippery on the lips per se, applies with very minimal tugging and skipping. This lipstick deposits an evenly, semi-opaque pigmentation (but buildable to full coverage in just a few strokes) across the lips with a consistency that is negligibly streaky. Although some product did settle into my lip lines, the formula generally did not suck out all the moisture off my lips like the other Retro Mattes that I own (I’m looking at you, Ruby Woo) and leave them chapping like crazy at the end of the day. This shade adheres to the lips very well and stayed on for more than 5 hours.
Swatch comparison for Hey, Boy, Hey!
Lipglass: Queen P
M·A·C × Patrick Starrr Lipglass in Queen P
M·A·C × Patrick Starrr Lipglass in Queen P
M·A·C × Patrick Starrr Lipglass in Queen P
M·A·C × Patrick Starrr Lipglass in Queen P
M·A·C × Patrick Starrr Lipglass in Queen P
M·A·C × Patrick Starrr Lipglass in Queen P
M·A·C × Patrick Starrr Lipglass in Queen P
M·A·C × Patrick Starrr Lipglass in Queen P
Queen P is described as a neon pink with blue pearl. This warm fuchsia has a glossy finish infused with a mix of blue and purple shimmers. As someone who absolutely loathes the tackiness of lip glosses, this is actually quite wearable and lightweight despite the thick consistency. The texture isn’t exactly tacky to the point that it makes me want to remove it the very instant I put it on, and it has the ability to camouflage any imperfections on my lips.
Fairly pigmented (enough for me to properly line my lips) with a semi-opaque coverage, this Lipglass can be used on its own or as a lip topper. When used in conjunction with the lipstick, the shimmers blend into the purple without altering its colour much or moving it while giving the lips a luscious and juicier shine, as well as a fuller appearance. Queen P is neither drying or hydrating and it stayed on my lips for about 2 hours (until I took a sip of my drink, that is).
Hey, Boy, Hey! + Queen P
Hey, Boy, Hey! → Queen P → Hey, Boy, Hey + Queen P
As the brains behind this partnership, Patrick Starrr had, no doubt, put a lot of thought into developing such coherent collection while still living up to the high standards of the brand. But quite frankly, the choice of colours for both kits didn’t quite blow me away because I’ve already seen similar schemes (of the eye shadow quad in the Me So Chic kit especially) a couple of times in past M·A·C collections. That aside, just judging based on the quality alone, the Me So Fleek kit is certainly a bargain at this price so if you haven’t own anything from M·A·C yet, now is the time!
What do you think about this collection? Did you snag any of the kits? Let me know your thoughts in the comments below or simply take a quick poll!
Thanks for reading!
M·A·C × Patrick Starrr (Part II) Floral Realness Full Face Kits are now available on MACCosmetics.com and M·A·C ION Orchard Outlet.
With almost every colour on the spectrum made into cosmetics, much of consumerism now boils down to the aesthetic appeal of the products. In this aspect, we can always trust M·A·C to come up with irresistibly enticing packaging design that has the ability to trick you into wanting makeup you might already have, such as those in the NICOPANDA collaboration.
M·A·C NICOPANDA
My M·A·C NICOPANDA haul
M·A·C taking cute to the next level with a panda-theme packaging
Founded by Italian-Japanese fashion director Nicola Formichetti and his brother Andrea in 2015, NICOPANDAis a New York-based street brand best known for its edgy and playful approach to ready-to-wear and accessories, and it revolves around the panda cartoon that looks like Nicola whose bear-like chubby frame and long beard during his younger days had earned him the nickname “Nico Panda”. Despite the relatively short time the fashion line has been on the market, Nicola has, in fact, more than a decade of experience in being the creative force behind some of the world’s most influential brands, publications, and pop stars including Lady Gaga and Brooke Candy. Busier than a one armed paper hanger, he currently serves as fashion director of Uniqlo apart from managing his personal business venture.
Chose this picture of Nicola Formichetti because #dogsarelife (source)
Launched in April, this M·A·C collection features an infusion of fresh spring colours in the form of matte lipsticks(Kawaii Party, Pink-Off, Toung ‘n’ Chic, Nico Kiss, Galactic Mint & Pop Babe), Lipglass(Sugar Coat, Dreamz, Panda Kiss & Glitter Parade), a Gleamer Face Powder, Full Face Kits(Stay Cute, Primapanda & Preppy Panda), lashes, an adornment and a brush bag, all of which come entirely in the most adorable panda-centric packaging (which, I have to admit, isn’t too practical storage-wise). But in spite of the fancy presentation, the prices of the lip products – surprisingly – remain largely the same (at least in the U.S.), so purchasing the three lipsticks below didn’t feel much of a pinch on the wallet.
M·A·C NICOPANDA lipstick in Galactic Mint (US$18.50)
M·A·C NICOPANDA lipstick in Galactic Mint
M·A·C NICOPANDA lipstick in Galactic Mint
M·A·C NICOPANDA lipstick in Galactic Mint
M·A·C NICOPANDA lipstick in Galactic Mint
M·A·C NICOPANDA lipstick in Galactic Mint
Galactic Mint is described as a clean seafoam green with a matte finish. Moderately emollient with some slip, this bright cyan deposits a great deal of pigment (a rarity for a fluorescent shade) upon application but most of it ended up settling into my creases and putting a spotlight on the rough texture of my lips. A fairly thin coat gives an opaque but awfully chalky consistency (marked with gaps that are impossible to fill) which amplifies with additional layers, hence making it a challenge to get an even coverage out of this problematic shade without the aid of a primer and a lip brush. It is probably more suitable for creating a small portion of an ombré lip as opposed to being used as the main lip colour.
Pop Babe described as a bright clean pink with a matte finish. The only sold-out lipstick shade from this collection online, this non-drying cool-toned fuchsia applies easily while providing an intense and opaque colour payoff with a subtle shine in a single swipe. The texture is lightweight enough to comfortably and evenly conceal all the creasing and cracking going on. As someone who isn’t too big on vibrant colours, I think Pop Babe is a gorgeous and versatile colour that suits most skin tones. Whether you are going for a rebellious bombshell or a quintessential girl-next-door image, this lipstick can also somehow be paired with various looks.
M·A·C NICOPANDA lipstick in Toung ‘n’ Chic (US$18.50)
M·A·C NICOPANDA lipstick in Toung ‘n’ Chic
M·A·C NICOPANDA lipstick in Toung ‘n’ Chic
M·A·C NICOPANDA lipstick in Toung ‘n’ Chic
M·A·C NICOPANDA lipstick in Toung ‘n’ Chic
M·A·C NICOPANDA lipstick in Toung ‘n’ Chic
Toung ‘n’ Chic may be described as a deep plum with a matte finish, but this medium wine is nowhere near as drying. Gliding effortlessly on the lips without tugging or pulling, it imparts a lightly glossy sheen that could pass the lipstick off as a Satin one. Although fully opaque in one swipe, the product tends to build up on drier and uneven parts of the lips, resulting in an inconsistent texture and unsightly dark patches like those in the pictures above. It also sinks into the lip lines within the first hour of wear, further intensifying the parched condition of the lips. Hence, exfoliating the lips before applying this lipstick is a must to achieve optimal payoff from it.
Swatch comparison for Toung ‘n’ Chic
Usually when reputable brands go the extra mile to market their products in gimmicky packaging, they usually fall short in terms of quality to make up for the cost of attracting eyeballs. But I have to admit that this collection generally ticks all the right boxes. If not for space (and money) constraints, I would have gotten more shades!
What are your thoughts about this collection? Did you manage to get anything? Let me know in the comments below or take a quick poll!
Thanks for reading!
M·A·C NICOPANDA is now available on MACCosmetics.com and in all local M.A.C outlets. Enjoy up to 50% off when you purchase 3 or more items from this collection at any Singapore outlet.